Ruta, N., Burleigh, A., Vigars, R., Barratt, E. & Pepperell, R. (2016). Evaluating an artistic method for depicting human visual space, Applied Vision Association meeting, London, 19th December 2016.
Ruta, N., Burleigh, A. & Pepperell, R. (2016). Smaller hands, bigger head: a perceptual trend in artistic portraits, Experimental Psychology Society meeting, London, 4th – 6th January 2017.
Pepperell, R. (2016). Sargy Mann, Euan Uglow and subjective realism: the revolutionary achievement of modern British painting, The Collection, Lincoln/Cadogan Contemporary, London.
Pepperell, R. (2016). Where do we see? Perception, Vol. 44(51), p. 73.
Pepperell, R. (2016). Always Learning to See: The Art and Thought of Sargy Mann, Art & Perception, Volume 4, Issue 4, DOI: 10.1163/22134913-00002056.
Baldwin, J., Burleigh, A., Pepperell, R. & Ruta, N. (2016). The Perceived Size and Shape of Objects in Peripheral Vision, i-Perception, July-August 2016 vol. 7 no. 4, DOI: 10.1177/2041669516661900.
Koenderink, J., van Doorn, A., Pinna, B. & Pepperell, R. (2016). Facing the Spectator, i-Perception, November-December 2016, pp. 1–29, DOI: 10.1177/2041669516675181
Zhu, Z., Martin, R. R., Pepperell, R. & Burleigh, A. (2016). 3D Modeling and Motion Parallax for Improved Videoconferencing. Computational Visual Media, Volume 2, Issue 2, pp. 131-142. DOI: 10.1007/s41095-016-0038-4
Pepperell, R. (2016). Neuroscience and Posthuman Memory, in Memory in the Twenty-first Century: New Critical Perspectives from the Arts, Humanities and Sciences, Sebastian Groes (ed.). London: Palgrave Macmillan. pp. 330-33.
Koenderink, J., van Doorn, A., Pinna, B. & Pepperell, R. (2016). Armchair perspective preferences, Art & Perception, 4(1-2), pp. 39-56. DOI: 10.1163/22134913-00002044.
Koenderink, J., van Doorn, A., Pinna, B., & Pepperell, R. (2016). On right and wrong drawings, Art & Perception, 4(1-2), pp. 1-38. DOI: 10.1163/22134913-00002043.
Pepperell, R. (2015). Artworks as Dichotomous Objects: Implications for the scientific study of aesthetic experience, Frontiers in Human Neuroscience, http://dx.doi.org/10.3389/fnhum.2015.00295.
Pepperell, R. and Hughes, L. (2015). As Seen: Modern British Painting and Visual Experience. Tate Papers, Spring 2015.
Pepperell, R. & Ishai, A. (2015). ‘Indeterminate Artworks and the Human Brain’, Art, Aesthetics and the Brain, eds. M. Nadal, J. Houston, L. Agnati, F. Mora and C. J. Cela Conde. Oxford: Oxford University Press, pp. 143-153.
Pepperell, R. (2015). Egocentric perspective: Depicting the body from its own point of view, Leonardo 48(5), pp. 424-429
Pepperell, R. and Burleigh, A. (2014). Improvements in and relating to image making. International Patent Treaty Cooperation, WO2014122477 A1.
Baldwin, J, Burleigh, A. and Pepperell, R. (2014). Comparing artistic and geometrical perspective depictions of space in the visual field. i-Perception. Vol. 5, pp. 536-547.
Pepperell, R and Haertel, M. (2014). Do artists use linear perspective to depict visual space? in Perception, 43(5), pp. 395-416
Green, J. and Pepperell, R. (2013). How can visual experience be depicted? A study of close-up double vision, in Arts and Humanities in Higher Education.
Pepperell, R. and Ruschkowski, A. (2013). ‘Double Vision as a Pictorial Depth Cue’, in Art & Perception 1:1.
Pepperell, R. (2012) ‘The Perception of Art and the Science of Perception’, in Human Vision and Electronic Imaging XVII, edited by Bernice E. Rogowitz, Thrasyvoulos N. Pappas, Huib de Ridder, Proc. of SPIE-IS&T Electronic Imaging, SPIE Vol. 8291, 829113.
Pepperell, R. (2011) ‘Connecting Art and the Brain’, Frontiers in Human Neuroscience.
Muth, C., Pepperell, R. and Carbon, C. C. (2013) ‘Give me Gestalt! Preference for cubist artworks revealing high detectability of objects’, in Leonardo, 46:5.